The Panic Hand
by Jonathan Carroll
Review by Stephen Dedman
(Stephen's updated bibliography of short fiction)
(Review first appeared in Nova Express)
Jonathan
Carroll is the author of eight novels, including The Land of Laughs, Bones
of the Moon and Outside the Dog Museum, but I first encountered his
work in The Year's Best Fantasy and Horror.
That story, 'The Panic Hand', motivated me to go looking for his novels
as soon as I could get off the train and find a good bookshop.
I
still haven't read all of Carroll's novels, and I haven't loved all that I've
read; nor do I love all of the stories in The Panic Hand.
Reading the collection in too few sittings over less than a week was
probably a mistake.
Carroll has a genius for making the most disturbing situations seem real
by his loving attention to detail, the normality of his settings, the
credibility of his characters, and a quietly intimate tone which is most
effective if you treat each tale as a shared secret.
Unfortunately, twenty Carroll stories taken en masse is rather like a
cocktail party dominated by erudite and mostly well-mannered upper-middle-class
urbanites who've noticed something weird about the world but aren't necessarily
comfortable discussing it in public.
Sometimes you may find yourself reading a story without realising that
the previous one has finished...
or didn't finish.
That
said, there are some undeniable gems in the collection.
In 'The Sadness of Detail', a woman visits her favourite cafe and is
recruited by a man named Thursday (shades of G.K. Chesterton) into re-creating
small details of the world to assist an amnesiac God.
'Mr Fiddlehead' is a wonderful piece of magic realism about a woman who
finds herself falling in love with her best friend's very real "imaginary
friend".
'Friend's Best Man' is more equivocal about its fantasy elements - a girl
who talks to a clairvoyant dog - but is also gently twisted.
So is 'The Panic Hand', the story of a computer salesman and fairy-story
collector who meets a glamorous woman and her strangely attractive daughter on a
train; its strange vision of creation and reality is reminiscent of Lewis
Carroll at his most frightening.
'A
Wheel in the Desert, the Moon on Some Swings' and 'A Flash in the Pants' (new to
this collection) are beautifully written tales about memory and souls.
'The Jane Fonda Room' and 'The Dead Love You' give us different glimpses
of Hell.
'Postgraduate' and 'Tired Angel' are effective little chillers.
'The Zoondel' was too short, and feels like the first few pages of
an abandoned novel, while 'Uh-Oh City' seemed too long.
'The Life of My Crime' gives the impression that Carroll has devoted so
much space to creating wonderfully detailed portraits of his characters that the
plot tired of waiting and went home...
but if you like characterisation for its own sake, read it anyway.
The characterisation in 'Black Cocktail' is better still, magnificent
even by Carroll's high standards, and I'm not sure why I didn't like the story
more than I did.
If
you're already a Carroll fan, you'll want to buy The Panic Hand anyway,
if only for the previously unpublished story.
If you're not familiar with Carroll's work, this book is an excellent
introduction.
Copyright © Stephen Dedman
Publisher: St Martins Press (hardcover, 1996)
Hardcover is 295 pages
ISBN: 0312146981 (hardcover edition)